Why Download Sfx In High Definition 24 Bit?

The integration of high impact sound effects is no longer only for the sound design professionals. Many working professionals are integrating professional sound effects in their productions, each for their own reasons; some for video productions, some film background ambiences, audio or radio production or multimedia productions such as PowerPoint presentations. While many look to download SFX to enhance their presentation, the different formats that downloads come in can cause a lot of confusion. With the whole development of the internet and downloading of music, formats such as MP3?s have become more prevalent. So how can you tell if you have high quality sounds effects in your productions? Many people can?t even tell the difference in quality between a MP3 song and a compact disc (which is actually a higher quality format then MP3). So what is the difference? Since you are going to download SFX, we?ll try and break it down into a simple way to understand.

Traditionally (in the past ten years or so), music has been produced in what we call a 16 bit format. The 16 bit format was established as a standard by the music industry and long used by compact discs (your music CD that you purchase at a music store). You ask what is a ?bit? and what does 16 bit mean? The bit rate measures how many different ?bits? or slices of audio are recorded at one time. When something is recorded at 16 bit, there are in total 65,536 different bits or pieces of audio that are recorded. Alternatively to 16 bit, today many SFX libraries are being opted to be produced in what one calls high definition and one can choose to download these SFX in 24 bit format. With high definition 24 bit sound effects there ends up being 16,777,216 ?bits? of audio recorded at one time, producing a much higher quality of recording and clearer sound effect in this case. Quite amazing!

Further, usually a CD had been recorded with a sample rate of 44.1 kHz. A sample rate is how often the audio is measured per second (in time) when it is being recorded. The CD standard (or also called red book standard) is 44.1 kHz. This also could be translated (to say it more simply) that the audio is being measured 44,100 times per second. As in the previous example of high definition sound effects, many new high definition sound effects are now being recorded in 96kHz. What does that mean? As you might have guessed already, that means the audio is being measured 96,000 times per second.

So to summarize the technical discussion, you will want take two things into consideration when looking to download SFX for your presentation! First, you will want to consider that high definition (24 bit) sound effects are numerous times the quality of a 16 bit sound effects since they are sampled more often and the audio is recorded much more clearly. Secondly to keep in mind though, is that if you are going to go the route of downloading high definition sound effects, you need to know that they will likely be about three times the size of ?traditional? 16 bit sound effects. If you download SFX libraries that are high definition 24 bit, they will take up a lot more space on your hard drive, so plan appropriately!

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A Cd Review Of Mashed Buddha’s ‘zen Conspiracy’

When we last left John Corda, in the guise of drum 'n' bass superhero Mashed Buddha, on his full-length CD subdue your mind, he was adding elements, musical elements, to a genre that doesn't go much past mechanical repetition in rhythm and bleating electro sounds for tunes. To this, he added ideas such as composing songs - with themes that are developed, different levels of sound density, build ups and break downs - and adding elements of funk, rare groove, and heavy bass. Mashed Buddha conceives of his songs and his entire records in compositional terms. In other words, on Zen Conspiracy he keeps things moving like in any good story.

The title track has a stately intro and then the jungle groove kicks in like the opening credit sequence of the coolest noir romance. The relentless, ecstatic drum beat undergirds soulful piano, skittering synth sounds, and deep bass that rumbles with syncopation like dub reggae on ecstasy. The break down adds the earthiness of Afro-Cuban drums and percussion and Latin piano loops that evoke noir mystery. The song's elements mix, match, swoop down and buildup to unexpected plateaus of resolution. Like his preview EP Four Keys to Zen, this record brings in the element of jazz improvisation. Corda plays a solo that jazzes out but in the soul/blues styles of Ramsey Lewis or Stevie Wonder. This organic, earthbound element offers a nice contrast to the electronica, pumping more blood into the music.

Simplicity returns with the brief interlude "Laz" . Based on a simple funky lick and clocking in at about 90 seconds, it still has a verse and chorus, played on rich sounding keyboards and a skittish percussive track over a phat drum beat, which makes this an actual song. This leads to the next cut, "Temptation" . This song has an easy groove that invites sampling for a rapper, but only one that is having an early '90s flashback. The multiple tracks of clavinet-sounding keyboards are simply fresh. Corda's solo has an unfettered joy in its tap dancing rhythms and dense melodic runs. The shifting harmonies keep the music from getting static, and the orchestration of the various melodies and sounds, all building off of one simple riff, are a lesson is how to write a killer track. The keyboard runs drop out, multiply, layer over, and move away from each other. Mashed Buddha always has something happening in his songs.

"Hype" shows how much nuanced feeling can be communicated through electronica. The beat, a bouncy soul rock groove that is mixed with a recurring sound of reverse echoes or a camera shutter - hype, ya heard? - and low end synth licks, is perfect for the psychedelic vogueing that is going on... in my mind. Over top of this rolling river of sound are mysterioso vocals of a self-help nature by the mind-bender Uri Geller; who mutters phrases like, "part three stay positive, relaxed and confident" and "part one clearing your mind" that also cleverly herald another instrumental layer or counter melody from the keyboard. Each element added is not only complementary, but of a different texture. After the break down, previously heard parts of the song - Fender Rhodes chords, wailing synthesizers - come back, but in a developed or altered state. The synth gets edgier, the hype shutter sound gets denser, the low end blasts forth with a nasty fuzzzzz sound.

Just when you thought he would wane a bit from the killin' ideas and playing, he picks up the pace and not only gets more intense, but weirder. "Tryst" is perhaps the quintessential song on the CD. The beat is jungle drum 'n' bass at its most frenzied. The keyboard lick is a combination of chords and melody filtered through the densest white noise. The drum beat is mixed with percussive ghosts of sound that flit around like insects. A counter melody plays with a sound like the spectral organ of Mike Ratledge of the Soft Machine. The piece builds like a hiker climbing a slope to the level peak, resting, then climbing the next hill. In the middle of the song, there is the almost traditional electronica break down. But unlike the cliched break with a bleating mechanoid pulse or a wannabe Latin keyboard riff, here the song rolls into a swirling tsunami of electronic and percussive sounds. The crashing of the waves slides into a heavenly cloud of soulful jazz. Here, Corda takes a piano solo that rocks one soulful statement after the other, bringing that old time freedom jazz feeling to end of the musical journey.

"Arcane Persuasion" ends the CD with a slow, stately, Gothic finale. A pipe organ opens, then the bleating mechanoid sound I dissed earlier comes in, but morphs in and out of demented glockenspiel notes and fuzzy tubular bells.

Let's be clear: I wouldn't say I'm an electronica fan by any stretch. Most of it is boring and soulless and uninspired. It says a lot about an artist when he can take parts of a style of music one hates and make music one likes. It's like turning s%$t into gold. His next record should be called The Alchemist.

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Computer In A Music Studio

Your computer is the main cog in the clockwork of a home studio. A slow or outdated computer can lead to latency issues, the inability to run current professional audio-editing software, small insufficient RAM, no hard-drive space to put your gigantic .wavs and multiple MP3s on and much more. A computer running on windows may crash, leaving all unsaved date gone from existence and even some saved date corrupted and therefore gone. The pros about a windows computer is that most multi-track software and other programs you may want to add only works for windows. Mac and Linux both run on the highly stable platform of Unix, so a crash is less likely to happen. Actually on since Mac OS X (OS 10) has mac been running on Unix, so make that a consideration. The con about Linux and Mac are that the audio programs you love so much and heard about may not be able to run on these systems or ever (think Adobe Audition).

RECOMMENDED MINIMUM COMPUTER SPECS

- Windows 2000 or above, Mac OS 9 or above
- 400MHz Processor (.4 gig)
- 256mb RAM
- CD Burner
- 40 gig Hard Drive

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A Music Lesson At Your Own Pace, What A Concept!

A good music lesson is simply the best way to learn how to play the piano. This is because most people need the discipline they get from learning how to play music in a certain sequence of time. Once you master one lesson, you will be able to move on to the next with a great deal of confidence as your skills start to improve. It?s this confidence that is going to keep you wanting to play the piano and increase your musical knowledge and ability.

The piano is one of the most popular musical instruments today. Most people who are starting out choose to play the piano because of its diversity and simplicity. Once you learn to play the piano, you?ll be able to pick up almost any other instrument and be able to produce some type of quality sound.

When looking for the right style of piano to play, you should consider how serious you are about learning. You will find some pianos are extremely expensive, and this type of piano may not be necessary for someone who is just starting out. Pianos do tend to hold their value, and if you take good care of it you can probably sell it many years later for a decent price when you are ready to replace it with something newer.

The music of the piano can be heard almost anywhere including clubs, schools, churches, symphonies, and at home. Once you get into a routine for each music lesson you take, you?ll find that making time to practice is something you look forward to.

Learning online through an online piano course is a great way to play in your own home without having to fuss with scheduling or finding a teacher. You decide when you want to learn your next lesson, as well as when you have the confidence to move on to the next music lesson. Many people are already finding out how easy it so to learn how to play the piano on their own.

Each music lesson is designed to teach you what you need in order to advance to the next level. All of the notes and chords for the next set of songs are presented at the beginning of the lesson. You don?t move forward until you feel you are ready. This means you can spend more time on one lesson over another if you?d like. And it also means you can go back to a lesson at any time to review what you?ve already learned.

At Hear and Play, we know that finding the right music lesson to get you started at learning to play the piano is the key to creating a successful new hobby or passion. We offer online learning guides and reference tools to effectively help you learn to play music by ear. Contact us today at to learn more.

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Rock Music..then And Now

I have a friend in the music business who only listens to Rock 'classics'. Hasn't given contemporary Rock music any play. Shame. There is always great music coming out that's worthy of a listen. Although I don't stay up on Rock music the way I did when I was younger, I still like to hear what's being played. I do like listening to Three Doors Down, Red Hot Chili Peppers, Nickleback, Bush, and groups like that.

Having said that, I think there are two points that are worth mentioning, one, although there is always good music coming out, I think what sets the rock music of the 60's and 70's apart from today is not just the quality but the quantity of the quality back then. Not only did you have the British invasion with the Beatles, Stones, Led Zeppelin and groups like that, but you also had lots of great bands here as well like the Eagles, Allman Brothers, Lynard Skynard, Grand Funk, Creedence, Hendrix, and tons of others. Just an unbelievable amount of talent.

The other thing that jumps out at me is, how come bands today can't or won't jam like bands back then? Back then it was nothing for groups to jam or extend or whatever you want to call it for 7, 8 minutes at a time. Is it that the people who control the record, or should I say CD business don't allow that kind of playing or is it just that bands today like it short and sweet for the most part? Or was it the drugs that most bands were using back then that produced that ability to jam? Maybe some or all of it, or none of it, but I just wonder why most rock groups today with some exception just don't do long jams anymore.

Looking back, 60's and 70's Rock music was a different breed of music. Although I like much of today's music, I just wish there was that kind of quality, and those long jams!

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The Deep Booming Sound Of The Stringed Bass

When thinking of a bass instrument, many people will immediately think of the double base, but there are numerous different types of bass instruments. These types of instruments are meant to produce sounds at a low pitched range. It is a common misconception by many that this type of musical instrument is quite limited, but the truth is that bass instruments can be used in a wide range of roles throughout all the musical genres. Bass instruments are typically used in the background to pull the music together and to offer a subtle undertone to give the music some depth.

There are many different kinds of bass instruments, including instruments like the electric bass guitar, the double bass, the keyboard bass, the tuba, serpent sousaphone, bass saxophone, bass trombone, the bassoon and the bass clarinet. These are only a few of all the bass instruments out there, but they are possibly the more common bass instruments used. Another common bass instrument would be the cello. While it is not often recognized as a bass instrument, but more as a tenor, the cello can occasionally be referred to as a bass in some music settings.

The cello is not the only instrument to have a second role as a bass. It all depends on the music that is being played and the instruments being used. In most modern music, most people will recognize the electric bass guitar that is commonly used in bands. A closer and more observant look will find that many bands will use other types of bass instruments, depending on the music being played as well as the other instruments being used.

Bass instruments have been around for a while, though the different types of bass instruments differ in when they were created. There are different types of bass instruments in different groups of instruments, such as the string instruments and the wood wind instruments. The bass instruments in their respectful classes will have originated from other instruments that have been around longer than they have. Over all, the actual bass instruments could be considered relatively young as they are more commonly used in the background of many of today's musical compositions, though some instruments have been used as a bass in some classical pieces. The bass may not be as necessary in older types of music. Music of today appears to make use of bass instruments whenever possible. It could be that with all the different instruments being used, having a bass is nice when trying to add more depth to the music.

The bass is often underestimated in how useful it can be by people who are not fully involved in composing and playing music. Many musicians are fully aware of how useful and important a bass instrument can be in completing the sound they are looking for. Bass instruments offer a strong, but subtle undertone in many music genres that finishes the piece. There are a lot of compositions out there that would not seem finished, or the music would seem like it is missing something if the bass was missing.

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Piano Buying Guide – Two More Tips

Craftsmanship is Another Essential Key That Determines the Quality of the Piano

Craftsmanship breaks down into three categories. There is the craftsmanship of how they build a piano at the factory and delivery to the retailer. Then there is the craftsmanship of the dealer in prepping the piano so the piano will work properly in your home. And then there is the craftsmanship of your tuner/technician who will help you preserve and maintain the quality of the instrument so it will work well for you and sound good over the lifetime of the instrument.

All the piano manufacturers such as Steinway, Yamaha, Kawai, Mason & Hamlin, Sauter, Bosendorfer, Bl?thner, that I've mentioned before, have excellent craftsmanship in their factories and work with certified dealers who they make sure know how to correctly prep their instruments for sale. So it is important to go with an accredited dealer when you are buying your new piano - this insures that your new piano will have the proper craftsmanship when you bring it home.

Why is it so hard to know for sure about pianos?

I restored a 6'2" Mason & Hamlin AA some time ago. Judging by the first
appearances, I might have immediately concluded that the soundboard was in terrible condition from all the shimming that it looked like it need and its overall discolored appearance. Prior to the disassembly, there were a number of cracks visible from the top as I looked beneath the strings and cast iron plate. So what made me proceed in repairing the soundboard vs. replacing the board? Why did I restore this piano at all?

Firstly, though the piano was barely playable, I could tell from the sustain of the strings in the bass, tenor, mid-treble and high treble registers when I plucked them, that they sounded good. The sound didn't just fade in a few seconds. It carried.

Secondly, I checked the contact between the main plank of the sound board and the soundboard ribs to see if there was any problems such as visible separation and movement when I applied upwards pressure on the board in the glue joints between the board and the ribs. Had there been such problems I would have had to weigh the alternatives between glue clamping those joints and the outcome and the possibility that the board should just be replaced. As it turned out, though there were a number of surface checking cracks, none of the glue joints were compromised.

I also checked for the crown of the board. Crown is a built in concave curvature of the soundboard enabling the board to oppose the downward pressure of the strings. Without this pressure, the tone of the piano would be weak and thin. Fortunately, there was some to be measured which was perhaps a tribute to the patented and legendary Mason & Hamlin Tension Resonator.

Finally and not to be overlooked was the simple fact that this instrument was a Mason & Hamlin AA, circa 1907. Despite the fact that it had been abused, poorly maintained, etc, it had somehow at the age of 80 held up quite well. This particular make and year of Mason & Hamlin made this piano almost a sure bet being without a doubt one of the best pianos ever made! So good that it sits in my living room twenty years later with a 100 year old soundboard that still works and sounds quite good. Could it be improved with a new board? Maybe, but it works fine now as a senior citizen.

The outcome of this job was that though it needed and received a new pin block, the rest of the job outside of the action was primarily cosmetic. With another piano, it could have easily been the other way around.

My point in this case study is that it really requires a fair amount of experience and knowledge to know about any given piano how good it is and how it stacks up with the competition, new or used. And even more confounding is that each and every situation varies.

So what is the best rule of thumb for the average person in buying a piano? Always go with the highest quality available to you within what your budget allows! If you can work with a top craftsman, you might be better of restoring your piano or purchasing a quality name brand piano to restore or buying a pre - owned instrument. All of this translates into working with and listening to experts as much as possible. Who is an expert? You have to look close and to carefully scrutinize their work, their products and their output. All of this can be done; you just have to be looking in the right direction.

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Instrumental Hip-hop Music

Indian Hip-Hop is a wonderful mixture of conventional Indian musical rudiments with hip hop music. Hip-Hop changed all the dynamics of world music in 1990s. It?s a form of music which focuses more on message or lyrics of the song than the music. To understand Indian instrumental Hip-Hop music we will have to look at instrumental and Hip-Hop music separately. Indian instrumental music is a part of the great tradition of Indian classical music. Indian classical music is one of the prime constituent of wonderful Indian heritage. Whereas Hip-Hop originated from Afro-American culture and now it is more of a global phenomenon. The mixing of these two forms of music results in captivating instrumental Hip-Hop music.

Instrumental Hip-Hop music redefined the music scenario to the extent that it is considered as a genre of its own. It is one of the most experimental forms of music. Slowly India is also catching up with this new genre. Instrumental Hip-Hop uses one or more local music with other instruments. For example, Indian instrumental hip-hop music mixes few of the Indian languages with percussion or other Indian instruments like Veena or Sitar and thus comes out a completely new form of music which is soothing to the ears. Other experiment includes using Indian movies songs with numerous instruments.

Indian hip-hop musical segment is still in evolution stage. Though, few of the Indian artists have managed to make a name for themselves on international scale. One of the most popular Indian Hip Hop artists who is credited to carve a niche for himself is Asoka. Basically a solo performer, he has worked with famous rappers as well. Asoka has worked with one of the world?s most popular rappers, The Outlawz. Not only that, he has prominently featured in major mix tapes. Other prominent Indian hip-hop artists are Srik, OBB, Sagar, PRX etc.

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The Benefits of Taking Drum Lessons Online

The Internet is a priceless tool for pros and student drummers as there are a lot of lessons that they can learn plus there are forums and chat boxes where drummers can interact with each other. Aside from this, there are also a lot of enthusiasts online who are available to answer questions from beginners. Teachers for drum lessons are too many you won't have any problem of finding one as well. Compared to learning how to play drums with a private tutor, why are most people choosing to go online and make the Internet as the primary means of instruction?

There is undeniably a big advantage of taking drum lessons online and one of the many to start with is low charge and sometimes even no charge at all. Can you imagine that? Why spend a lot of money in learning how to play drums with a private teacher when online you are able to get videos that would be able to watch and replay a lot of times for better understanding? You can just simply go to YouTube and look for free drum lessons.

Online lessons are more adaptable because you can choose to learn at your own pace. You don't have to follow a specific schedule which is way better because if you have more important things to do in a given day, there's no need to worry as you can just choose the best time to move on with your drumming lessons.

In addition to these advantages, online lessons are also convenient. Well, attending a course in the comforts of your own home is something that's very convenient. You don't have to make an effort of really preparing yourself and try to look good then drive to your school or wait until your private tutor would arrive. You can just wear your pajamas and learn your lessons. No one would care. Lastly, drum lessons online are versatile. There are lessons that depend on your preferences-either you want to learn to play the songs of your favorite band or focus more on the rudiments.

Overall, with the advantages listed above, it's safe to say the taking drum lessons online is one of the best options that a drummer can look into. Whether you decide on taking online lessons or still stick with getting a private tutor, at least you know that you have this option that would not cost you any money to learn to play drums.

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