The Acoustic Artist ? Biography Of David Ell

David Ell is Scotland newest acoustic artist taking audiences all over the country by storm. With his debut album and talented band, he is sure to see stardom come his way. However the story behind this acoustic artist means there is much more to David Ell than meets the eye.

This singer and songwriter was born in Sheffield, but when young, David?s family moved to Scotland and he spend his early years growing up in Falkland, a small village in Fife. David had grown up with a passion for music but his strong talents in education overtook where he went to achieve a first class degree in law at Edinburgh University. This success reassured David that anything he puts his mind to, he can achieve and even though he had never ignored his love for raw music, it made him determined to concentrate on that part of his life. His unique talent for song writing has led him to not only write and play all of his own songs but also to create piano and music scores for use in films and TV.

With his band in tow, David Ell is currently playing and singing in local and national gigs to hundreds of new fans that have been made aware of David?s music through the many music and social networking site David communicates through. Unlike many acoustic artists, David recognises the need for internet to communicate with audiences and has employed many online networking resources such as MySpace, Facebook, Bebo and Twitter, to name but a few. It shows through the use of his online marketing, that David really cares about connecting to people far and wide. His dedicated band have been play together for many years and consists of Chris the drummer, Deano the bass player, Dan who plays the guitar and also sings vocals and Rachel who does the backing vocals and percussion. However David also does solo acoustic sets which gives him variety and adaptability.

Furthermore David Ell?s talent is show in his debut album Wreckingball. This album captures the feelings and passion of the singer and songwriter with acoustic songs that are of dark, brooding and powerful. The album contains a subtle arrangement of acoustic guitar songs and piano lead melodies reflecting heavily on themes of loss of innocence, faith and love.

If you are looking to experience the soulful, unique and truly moving music of David Ell, or to see when there are gigs in Glasgow, visit his official website at .

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Formal Event And Wedding Music From The Mobile Dj

There are considerable differences between the nightclub DJ who plays dance music and scratches on the discs, the radio DJ who announces over a set playlist, and the mobile wedding DJ who plays all genres for all ages. Radio deejays are trained in college and need a degree to apply to a station, where they will work their way up the ladder from low-paying small town positions in a pre-planned career. Big market stations have only so many openings so only the cream of the crop will hit the big time.

With the advent of portable digital sound equipment, the capability to be a mini-broadcasting company meant that everyday people could entertain and speak over the music as one song segues into the next. A knowledgeable music fan with a good speaking voice and some people skills could put on a show that would get people dancing in a nightclub with a nicely-mixed portfolio of songs. In a short time, the DJ could be good enough to earn money with his music collection and some good sound gear.

Knowledge of music is essential, but knowing what an audience will enjoy is a matter of trial and error. Their tastes conform to the music featured in MTV videos for the most part and may clash with your own tastes. Success will lie in motivating the crowd to participate. When more people get up and dance, then the disc jockey is on the right track and it makes less jovial banter necessary. Therefore the deejay gets better at sizing up an audience as he gets more experienced, just as do musicians, comedians, and other performers. A wedding DJ in Toronto Ontario once said that he didn't like the novelty songs and oldies he was forced to play at receptions to please the more senior members of the audience who would only complain at loud pop-dance or disco music.

Music stores sometimes offer payment programs for disc jockey sound equipment or will lease the system to the deejay, so it is fairly easy to get into the business if you have a vehicle and a regular income. The digital technology can imitate the sounds of actually scratching through your show. Scratching discs as you spin is the technique of the nightclub disc jockey so the wedding DJ won't have to learn how to coordinate a rhythmic show to a live audience. It takes good control of the digital equipment, scratching along, adjusting controls for lights and fog, and rapping to the people on the dance floor and those that are being coaxed out of their chairs.

Once you have transportation and resign yourself to working weekends, then there's no barrier to putting up your website and hanging out the shingle in local advertisements to line up some bookings to get that extra income going, and maybe have a good time while earning money, even if the music genres aren't your favorite. They say that eighty per cent of the entertainment business is showing up. The attention alone is enough for some people ? and a chance to be where the action is.

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Marriage Breakups And Country Music Cheating Songs!

Marriage breakups, divorces and just plain lying to your partner can be attributed to the amount of cheating songs you hear on the radio and other music venues. My generation grew up to the cheating songs of country music, the lyrics to which can be a catalyst that gives birth to messing around on your spouse. The age old question of why spouses cheat on each other in a marriage will probably never be answered, but I believe some of the blame can be attributed to old country music songs of love lost and love betrayed.

Let's clear something up first. I don't really call today's music sung by boys and girls in cowboy hats real country music. That distinction belongs to the music of the '70's and the unique country voices that made a cheating song sound like reality.

One of my favorite songs about cheating tells what happens to assumedly normal folks in a long time marriage. Sometimes when the doldrums of everyday life reaches its zenith, songs like this one can ring a bell for the right person.

"After The Fire Is Gone!" is a haunting ballad by Loretta Lynn and Conway Twitty. Both were at the top of their game when this song was recorded in 1975. Haunting lyrics, "Love is where you find it, when you find no love at home" is a great example of loneliness with your spouse.

This song offers an excuse for bad behavior to someone who is not happy in a marriage. I can't be sure but I imagine that if an excuse was needed to cheat on your spouse, this song would be a springboard to misbehavior.

Another moving ballad is one that speaks of the conflict in the mind of someone who is already running around on his wife. It shows the heartbreak that affects not only the cheater, but the person being cheated on.

Earl Thomas Conley recorded the hit in 1983; "Holding Her and Loving You!" He tries to explain himself to his new romance; "If she'd give me one good reason I'd be gone, but she ain't done, one thing wrong. So don't expect me to just walk out the door, I still love her, but I love you more." No one can deny that lyrics like that will spur someone on to behaving as if he weren't married.

The Statler Brothers in 1985 made us aware of the consequences of misbehaving, whether it's cheating or lying about something when the truth would have been better. Their hit song, "I Saw Your Picture in The Paper Sunday Morning" relates to many of us. Unfortunately few of us could have written such poignant words of regret.

"I saw your picture in the paper Sunday morning, by then the honeymoon was almost through. Now you've made your bed, and I hope you lie well in it. I hope you'll both be happy... you see I still lie well too. " Country music lives on cheating songs. Even though today's musicians churn them out like fresh baked Tortilla chips on a conveyer belt, the older songs are strong enough to play a huge part in the breakup of a relationship. Still there is no greater country cheating tune than Hank William's, "Your Cheating Heart!"

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Online Radio Stations: Tune Into It Any Time Anywhere

It is undoubtedly a fact, that a majority of people prefer to enjoy their most preferred music tracks any time of the day. This is because music has the power to be the mediator of our spiritual and sensual life. In other words after a hectic daily routine work, music soothingly feathers the tiring souls and rejuvenates at ease. Quite interestingly music plays the role of wine to break the cup of silence and due to such reasons almost everybody tries to find a compassionate friend in music. All this said and done it lets us move on to the advances of technology. As this aspect of listening peppy numbers seems to enthrall everybody irrespective of age and group, the genius souls also cannot forget to garnish this aspect with high end technologies. Earlier, audio cassettes and transistors used to serve this purpose. Slowly and steadily, this sector started booming and people began to avail the facility of CD's and DVD's. The climax of the story is yet to be reached and we are lucky enough to be the proud to witness this climax. Yes, the Internet has offered the required impetus to bring a significant twist in the climax.

Now we can log onto the Internet and get access the online radio without any hassles. This is actually the most hyped facility of the Internet, which has succeeded in getting applauded by people all over the world. Basically with the introduction of the online radio stations, we can easily access our preferred radio stations any time and that too without any hassles. The user friendly interface further ensures smooth processing and surfing of the radio stations. As a matter of fact, this online facility is boasting of huge listener base almost on a regular basis. Moreover, you are not obliged to pay any amount of money for using this high-end facility. Furthermore, as they don't come associated with any membership fees, you are free to enjoy and explore the vast resource of music tracks whenever you want. You would now never feel bored during the working hours, when you are compelled to sit before your computers for long hours without any dose of entertainment. Whenever, you feel tired you can tune into the online radio stations and get the required dose of musical entertainment for rejuvenation.

There are numerous positive factors which back up the online radio stations to get the desired hype at ease. Firstly, there are innumerable free online radio stations to offer you the valuable support whenever you need. Moreover, if you have a computer or a laptop and have access to high speed Internet connection then everything turns into your favor. With this, the option of both work and entertainment would go hand in hand. Now, you must be aware of the fact the radio stations often come jammed with numerous commercials or advertisements. At times it is very frustrating to listen to those advertisements as we have very little amount of time to invest in entertainment or relaxations. Such issues also can be ignored and that too quite easily.

Do you know how? Actually, when you browse the websites you would find, there are numerous radio stations which are absolutely free of commercials. This means you can enjoy your favorite music tracks and even explore the vast resource of music archives without any break. Thus, one thing is sure, with the introduction of this facility you would enjoy the sigh of relief by getting the regular dose of peppy numbers.

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The Ultimate Guide To Video Ipod

Alright. So after all that hype about having a practical way of watching TV and movies while on the go, you have finally gone and bought yourself the new iPod. Now what?

Well, let?s see. There are so many options squeezed into one slim, 2.5? LCD screen media center that it?s going to take a lot of time going over each one of them. So let?s do take it one at a time, shall we? This guide is going to take over all the options you?ve got and how to convert absolutely anything and everything ? DVDs, TiVo video, messy AVIs, muxed MPEGs and more to iPod compatible video ? all within OS X. And along the way, we?ll teach you a couple of iPod tips and tricks, too!

Handling Those Nasty Scratches

When you take your iPod out of the box, your first order of business should be to protect your investment. You don?t want any of those nasty scratches from appearing on your precious media box, do you? It?s a complete eye soar and one you can completely avoid.

The good thing about this new iPod is that its design is slightly different from that of the nano, which according to most users scratch easily. The new iPod has better chassis and doubled-layered, probably to protect the LCD monitor. But if you want to make sure that your iPod doesn?t show any scratches, most users recommend plastic cases, such as The Invisible Shield. If not, you can always get the white model, instead of the black one.

What Videos Can You Play?

Let us briefly go over the kinds of videos that your new iPod can support. According to Apple?s website, the video specifications of the new iPod are the following:

? H.264 video: up to 768 Kbps, 320 x 240, 30 frames per sec, Baseline Profile up to Level 1.3 with AAC-LC up to 160 Kbps, 48 Khz, stereo audio in .m4v, .mp4, and .mov file formats.

? MPEG-4 video: up to 2.5 mbps, 480 x 480, 30 frames per sec, Simple Profile with AAC-LC up to 160 Kbps, 48 Khz, stereo audio in .m4v, .mp4, and .mov file formats.

For the newbies, this might all sound a little too confusing. What?s with all the numbers? Don?t worry because chances are you only need to remember a few of those for you to get the most out of your new iPod.

First, let?s start with H.264 video. The highest video bitrate with the H.264 codec is 768 kilobits per second. The biggest picture size for your H.264 movie is 320 pixels wide by 240 pixels high, which is incidentally the exact dimension of your iPod?s screen. Your iPod can play H.364 video at framerates up to 30 frames per second. Every one of the applications that we?ll be using encodes with the Baseline Profile. Your audio needs to be encoded as AAC audio up to 160 Kbps, 48 KHz, and it can be in either stereo or mono. As long as you follow all the guidelines, your movie can even be a QuickTime movie or an MPEG-4 movie file.

The other option you have is the MPEG-4 video, which supports a much higher bitrate than H.264 video ? 2500 kilobits per second. Using higher bitrates will also create larger files, which means that you?ll have less space for additional songs and movies, but more segments of your favorite movie. The biggest picture size for your MPEG-4 video is 480 pixels wide by 480 pixels high ? three times as many pixels than your iPod?s screen in capable of displaying. Your iPod will shrink the picture proportionally so that everything fits on the screen. Again, the iPod can play videos up to 30 frames per second and your audio and file format options are the same as H.264 video.

So Which One is Better ? H.264 or MPEG-4?

Well, that?s a tough question really as each format has their ups and downs. Arguably, H.264 is preferable considering how it offers high quality and a file size that is much smaller compared to MPEG-4. When it comes to picture quality, however, both formats are comparable, especially when encoded at the higher supported video settings.

As for speed of encoding, most people agree that H.264 video takes longer than standard MPEG-4. Take for example a two-hour movie. When you convert that to iPod using H.264 codec, the process could take considerably longer (especially with QuickTime Pro?s pokey Export: Movie to iPod video option).

Where to Download Videos for Your iPod

If you?re tired ripping movies from your DVD collection or you?ve used up all your movie files in your computer, then it?s probably time for you to look for other sources of iPod compatible videos. Below are some good sites that offer iPod video files that are both free and legal!

? ? If you like to watch short animations while taking a breather, this is the place to look in.

? ? It?s not called ?PodGuide? for nothing.

? Channel 101 and Channel 102 ? Brilliant downloadable shows are up on offer.

? The iTunes Music Store?s podcast section ? One of the best things about the new iPod is that Apple has bundled it with their updates on iTunes. Now, you can download loads of free videos from the store for your daily dose of iPod-casting.

? Apple iTunes ? Sometimes you just have to go to the source of the source to find what you?re looking for.

? ? This site is great for old videos and movies.

Watch iPod Videos on Your TV

Say what?! Yep, it?s true. And for some users who prefer widescreen as opposed to pocket-TV, this is the best thing about the new iPod. Now, outputting your iPod videos to any TV is easy. Just use a special video cable (and it doesn?t even be the one sold by Apple), output it through your iPod?s headphone jack, and voila! You?re a couch potato, baby!

If you?re more interested in watching videos on your TV, you may want to go with the MPEG-4 format since it can support the bigger 480 x 480 picture size. When you encode widescreen movies and output them to a TV, the pixel limit is usually 230,400 pixels. So when these larger images are displayed on your TV, you?ll get to see all those extra pixels.

Okay So You Can Watch Videos on TV, Big Deal?What About My Other Videos?

When you download video files from the web or file sharing networks, some of these files may not be marked as iPod compatible. Does that mean you can?t play them on your iPod? Well, the good news is that it?s easy enough to find out.

Tip #1 ? Open iTunes

The easiest and less time-consuming way to determine whether a video is iPod-supported or not is to simply open iTunes with your iPod connected. Afterwards, drop the video file directly into your iPod?s library. If the video is copied into your iPod, it means it?s compatible. If it?s not, then your iPod won?t be able to play it.

To copy the video to your iPod, just select Manually manage songs and playlists in the iPod tab of your iTunes preferences.

Tip #2 ? Add Video to the iTunes Library

The other way of finding out if your video files are iPod compatible is to add your video to your iTunes library. Just right lick the video and select Convert Selection to iPod. You will receive an alert from iTunes on your screen, telling you if your video is already compatible. If it?s not, your movie will be converted to a compatible H.264 video for you.

We should probably mention that you don?t really need to add videos to your iTunes Library in order to add them to your iPod. Just drag and drop videos from the Finder straight onto your iPod in iTunes. Again, make sure you?ve enabled the manually manage option.

You can also add songs and videos to your iPod?s library from any computer that has iTunes. Just make sure that you?ve enabled the manually manage option in iTunes. If your iPod was originally formatted on a PC, you can add files from both PCs and Macs. However, if you have a Mac-formatted iPod, you?ll only be able to add files from other Macs.

Tip #3 ? Open the file in QuickTime

Alternatively, you can also find out if your video is iPod compatible if you open the file in QuickTime. Next, Select Window: Show Movie Info. In most cases, your video should be iPod-ready if the format is H.264 or MPEG-4, the audio is ACC, and the size of your video is 320 x 240 (or smaller) for H.264 or 480 x 480 (or smaller) for MPEG-4. Also, look at the data rate and make sure it?s not over 900 kbits/sec for H.264 or 2600 kbits/sec for MPEG-4.

In most cases, the bitrate reported by QuickTime would include the video stream and the audio stream (normally 128 kbits/sec) so don?t wonder if the video is shown to have a higher bitrate.

I have a lot more information available at me website, be sure to click by and have a look.

Thanks for reading and I hope you find this information useful.

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Why Download Sfx In High Definition 24 Bit?

The integration of high impact sound effects is no longer only for the sound design professionals. Many working professionals are integrating professional sound effects in their productions, each for their own reasons; some for video productions, some film background ambiences, audio or radio production or multimedia productions such as PowerPoint presentations. While many look to download SFX to enhance their presentation, the different formats that downloads come in can cause a lot of confusion. With the whole development of the internet and downloading of music, formats such as MP3?s have become more prevalent. So how can you tell if you have high quality sounds effects in your productions? Many people can?t even tell the difference in quality between a MP3 song and a compact disc (which is actually a higher quality format then MP3). So what is the difference? Since you are going to download SFX, we?ll try and break it down into a simple way to understand.

Traditionally (in the past ten years or so), music has been produced in what we call a 16 bit format. The 16 bit format was established as a standard by the music industry and long used by compact discs (your music CD that you purchase at a music store). You ask what is a ?bit? and what does 16 bit mean? The bit rate measures how many different ?bits? or slices of audio are recorded at one time. When something is recorded at 16 bit, there are in total 65,536 different bits or pieces of audio that are recorded. Alternatively to 16 bit, today many SFX libraries are being opted to be produced in what one calls high definition and one can choose to download these SFX in 24 bit format. With high definition 24 bit sound effects there ends up being 16,777,216 ?bits? of audio recorded at one time, producing a much higher quality of recording and clearer sound effect in this case. Quite amazing!

Further, usually a CD had been recorded with a sample rate of 44.1 kHz. A sample rate is how often the audio is measured per second (in time) when it is being recorded. The CD standard (or also called red book standard) is 44.1 kHz. This also could be translated (to say it more simply) that the audio is being measured 44,100 times per second. As in the previous example of high definition sound effects, many new high definition sound effects are now being recorded in 96kHz. What does that mean? As you might have guessed already, that means the audio is being measured 96,000 times per second.

So to summarize the technical discussion, you will want take two things into consideration when looking to download SFX for your presentation! First, you will want to consider that high definition (24 bit) sound effects are numerous times the quality of a 16 bit sound effects since they are sampled more often and the audio is recorded much more clearly. Secondly to keep in mind though, is that if you are going to go the route of downloading high definition sound effects, you need to know that they will likely be about three times the size of ?traditional? 16 bit sound effects. If you download SFX libraries that are high definition 24 bit, they will take up a lot more space on your hard drive, so plan appropriately!

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A Cd Review Of Mashed Buddha’s ‘zen Conspiracy’

When we last left John Corda, in the guise of drum 'n' bass superhero Mashed Buddha, on his full-length CD subdue your mind, he was adding elements, musical elements, to a genre that doesn't go much past mechanical repetition in rhythm and bleating electro sounds for tunes. To this, he added ideas such as composing songs - with themes that are developed, different levels of sound density, build ups and break downs - and adding elements of funk, rare groove, and heavy bass. Mashed Buddha conceives of his songs and his entire records in compositional terms. In other words, on Zen Conspiracy he keeps things moving like in any good story.

The title track has a stately intro and then the jungle groove kicks in like the opening credit sequence of the coolest noir romance. The relentless, ecstatic drum beat undergirds soulful piano, skittering synth sounds, and deep bass that rumbles with syncopation like dub reggae on ecstasy. The break down adds the earthiness of Afro-Cuban drums and percussion and Latin piano loops that evoke noir mystery. The song's elements mix, match, swoop down and buildup to unexpected plateaus of resolution. Like his preview EP Four Keys to Zen, this record brings in the element of jazz improvisation. Corda plays a solo that jazzes out but in the soul/blues styles of Ramsey Lewis or Stevie Wonder. This organic, earthbound element offers a nice contrast to the electronica, pumping more blood into the music.

Simplicity returns with the brief interlude "Laz" . Based on a simple funky lick and clocking in at about 90 seconds, it still has a verse and chorus, played on rich sounding keyboards and a skittish percussive track over a phat drum beat, which makes this an actual song. This leads to the next cut, "Temptation" . This song has an easy groove that invites sampling for a rapper, but only one that is having an early '90s flashback. The multiple tracks of clavinet-sounding keyboards are simply fresh. Corda's solo has an unfettered joy in its tap dancing rhythms and dense melodic runs. The shifting harmonies keep the music from getting static, and the orchestration of the various melodies and sounds, all building off of one simple riff, are a lesson is how to write a killer track. The keyboard runs drop out, multiply, layer over, and move away from each other. Mashed Buddha always has something happening in his songs.

"Hype" shows how much nuanced feeling can be communicated through electronica. The beat, a bouncy soul rock groove that is mixed with a recurring sound of reverse echoes or a camera shutter - hype, ya heard? - and low end synth licks, is perfect for the psychedelic vogueing that is going on... in my mind. Over top of this rolling river of sound are mysterioso vocals of a self-help nature by the mind-bender Uri Geller; who mutters phrases like, "part three stay positive, relaxed and confident" and "part one clearing your mind" that also cleverly herald another instrumental layer or counter melody from the keyboard. Each element added is not only complementary, but of a different texture. After the break down, previously heard parts of the song - Fender Rhodes chords, wailing synthesizers - come back, but in a developed or altered state. The synth gets edgier, the hype shutter sound gets denser, the low end blasts forth with a nasty fuzzzzz sound.

Just when you thought he would wane a bit from the killin' ideas and playing, he picks up the pace and not only gets more intense, but weirder. "Tryst" is perhaps the quintessential song on the CD. The beat is jungle drum 'n' bass at its most frenzied. The keyboard lick is a combination of chords and melody filtered through the densest white noise. The drum beat is mixed with percussive ghosts of sound that flit around like insects. A counter melody plays with a sound like the spectral organ of Mike Ratledge of the Soft Machine. The piece builds like a hiker climbing a slope to the level peak, resting, then climbing the next hill. In the middle of the song, there is the almost traditional electronica break down. But unlike the cliched break with a bleating mechanoid pulse or a wannabe Latin keyboard riff, here the song rolls into a swirling tsunami of electronic and percussive sounds. The crashing of the waves slides into a heavenly cloud of soulful jazz. Here, Corda takes a piano solo that rocks one soulful statement after the other, bringing that old time freedom jazz feeling to end of the musical journey.

"Arcane Persuasion" ends the CD with a slow, stately, Gothic finale. A pipe organ opens, then the bleating mechanoid sound I dissed earlier comes in, but morphs in and out of demented glockenspiel notes and fuzzy tubular bells.

Let's be clear: I wouldn't say I'm an electronica fan by any stretch. Most of it is boring and soulless and uninspired. It says a lot about an artist when he can take parts of a style of music one hates and make music one likes. It's like turning s%$t into gold. His next record should be called The Alchemist.

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Computer In A Music Studio

Your computer is the main cog in the clockwork of a home studio. A slow or outdated computer can lead to latency issues, the inability to run current professional audio-editing software, small insufficient RAM, no hard-drive space to put your gigantic .wavs and multiple MP3s on and much more. A computer running on windows may crash, leaving all unsaved date gone from existence and even some saved date corrupted and therefore gone. The pros about a windows computer is that most multi-track software and other programs you may want to add only works for windows. Mac and Linux both run on the highly stable platform of Unix, so a crash is less likely to happen. Actually on since Mac OS X (OS 10) has mac been running on Unix, so make that a consideration. The con about Linux and Mac are that the audio programs you love so much and heard about may not be able to run on these systems or ever (think Adobe Audition).


- Windows 2000 or above, Mac OS 9 or above
- 400MHz Processor (.4 gig)
- 256mb RAM
- CD Burner
- 40 gig Hard Drive

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A Music Lesson At Your Own Pace, What A Concept!

A good music lesson is simply the best way to learn how to play the piano. This is because most people need the discipline they get from learning how to play music in a certain sequence of time. Once you master one lesson, you will be able to move on to the next with a great deal of confidence as your skills start to improve. It?s this confidence that is going to keep you wanting to play the piano and increase your musical knowledge and ability.

The piano is one of the most popular musical instruments today. Most people who are starting out choose to play the piano because of its diversity and simplicity. Once you learn to play the piano, you?ll be able to pick up almost any other instrument and be able to produce some type of quality sound.

When looking for the right style of piano to play, you should consider how serious you are about learning. You will find some pianos are extremely expensive, and this type of piano may not be necessary for someone who is just starting out. Pianos do tend to hold their value, and if you take good care of it you can probably sell it many years later for a decent price when you are ready to replace it with something newer.

The music of the piano can be heard almost anywhere including clubs, schools, churches, symphonies, and at home. Once you get into a routine for each music lesson you take, you?ll find that making time to practice is something you look forward to.

Learning online through an online piano course is a great way to play in your own home without having to fuss with scheduling or finding a teacher. You decide when you want to learn your next lesson, as well as when you have the confidence to move on to the next music lesson. Many people are already finding out how easy it so to learn how to play the piano on their own.

Each music lesson is designed to teach you what you need in order to advance to the next level. All of the notes and chords for the next set of songs are presented at the beginning of the lesson. You don?t move forward until you feel you are ready. This means you can spend more time on one lesson over another if you?d like. And it also means you can go back to a lesson at any time to review what you?ve already learned.

At Hear and Play, we know that finding the right music lesson to get you started at learning to play the piano is the key to creating a successful new hobby or passion. We offer online learning guides and reference tools to effectively help you learn to play music by ear. Contact us today at to learn more.

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Rock Music..then And Now

I have a friend in the music business who only listens to Rock 'classics'. Hasn't given contemporary Rock music any play. Shame. There is always great music coming out that's worthy of a listen. Although I don't stay up on Rock music the way I did when I was younger, I still like to hear what's being played. I do like listening to Three Doors Down, Red Hot Chili Peppers, Nickleback, Bush, and groups like that.

Having said that, I think there are two points that are worth mentioning, one, although there is always good music coming out, I think what sets the rock music of the 60's and 70's apart from today is not just the quality but the quantity of the quality back then. Not only did you have the British invasion with the Beatles, Stones, Led Zeppelin and groups like that, but you also had lots of great bands here as well like the Eagles, Allman Brothers, Lynard Skynard, Grand Funk, Creedence, Hendrix, and tons of others. Just an unbelievable amount of talent.

The other thing that jumps out at me is, how come bands today can't or won't jam like bands back then? Back then it was nothing for groups to jam or extend or whatever you want to call it for 7, 8 minutes at a time. Is it that the people who control the record, or should I say CD business don't allow that kind of playing or is it just that bands today like it short and sweet for the most part? Or was it the drugs that most bands were using back then that produced that ability to jam? Maybe some or all of it, or none of it, but I just wonder why most rock groups today with some exception just don't do long jams anymore.

Looking back, 60's and 70's Rock music was a different breed of music. Although I like much of today's music, I just wish there was that kind of quality, and those long jams!

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